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Artist Spotlight: Caitlin Connolly

By Leslie Graff

We are excited to introduce to you a new artist whose work we will be featuring here at Segullah for the next little while. Caitlin Connolly is an artist, wife to a guitarist, musician, and creative enthusiast. Born and raised in Utah, the only girl in a family with three brothers, Caitlin grew up coloring …

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I Learned the Truth at Seventeen

Marla is a Utah native and a professional writer and editor. She is just weeks away (fingers crossed) from completing a master’s degree in English. She loves running, biking, reading, writing, and lurking on the Segullah blog. She blogs at mindofmarla.blogspot.com.

I went to the Victorian exhibit at the BYU Museum of Art a few weeks ago and couldn’t take my eyes off one of the paintings (click to enlarge):
What you’re seeing is unmarried, dowry-less women being auctioned off to the highest bidders in an ancient Babylonian market. The women have been lined up according to their beauty—the most beautiful woman is standing on the platform; the least beautiful sits on on the far right. According to Herodotus, whose writings on the market inspired the painting, the money earned from the purchases of the beautiful women was used to pay men to take the least beautiful women home. Examining the figures and their interactions in this masterpiece is like watching a movie—from the faces and gestures of the men in the crowd to the reactions of the women at being put in the order they were, there’s a wide variety of attitudes and thought processes happening here. That the painting is the size of an entire wall made it easy to live in the scene for a minute or two, asking myself (as a coincidentally unmarried, dowry-less woman) what it would feel like to be placed somewhere in that line. I saw a little of myself, at one point in my life or another, in each woman.

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