Home > Journal > 2025 May Issue

Art Contest Winners 2025

By Lara Niedermeyer

“Morning Mist at Big Creek” oil on panel, by Lavinia Hale

First Place

The first-place art winner of the 2025 Segullah Contest is Lavinia Hale of Greencastle, Indiana. Her painting entitled “Morning Mist at Big Creek” impressed our judges with its composition, dimensionality, and gentle imagery—and especially the rendering of the reflection of the sky on the water. It was a place we could envision visiting and finding peace and contemplation in the quiet dawn. An upcoming edition of Segullah this year will highlight Lavinia’s artwork and will include an interview with her.

“Cat Stairs Canyon”, acrylic on canvas 24 in x 20 in, by Marjorie Hansen

Second Place

The second-place winner of the 2025 Segullah Contest is Marjorie Hansen of Framingham, Massachusetts, for her painting “Cat Stairs Canyon.” The unexpected subject matter and intriguing title caused several of our judges to find it a favorite. This surprising piece caused judges to comment, “…this piece says something about the canyons we create and natural canyons barely visible in the background.” and “It is impressive to me when things that are unusually ugly are presented with panache.”

“Sacred Places: Provo Temple” acrylic on canvas, by Ruth Hewlett Pope

Third Place

The third-place winner of the 2025 Segullah Contest is Ruth Hewlett Pope of Highland, Utah for her striking painting called “Sacred Places: Provo Temple.” Commissioned before the demolition of the original Provo Temple, our judges appreciated the abstract exploration of a holy subject matter—one which is usually rendered with exactness. The ethereal mists give this image an “out of place and time” feeling, as though it exists in spirit even as it’s physical form no longer exists.

Honorable Mention

Our guest judges, artists Camilla Stark, Lesley Graff, Laura McCarrey, and Lynde Mott, create in different mediums and styles, and each brought their particular eye and expertise to this year’s contest. Each of these pieces scored high enough in the evaluation process, and was appreciated enough by our judges to merit an honorable mention and we’re pleased to share them with you throughout this issue.

“Whitney Rains”, watercolor on 100% cotton watercolor paper 5 in x 7 in, by Kaylin Hill
“Break of Day Over the Ohio”, oil on panel, by Lavinia Hale
“Techno-vertebra”, assemblage art: found sea mammal vertebra with found disk drive component, approx. 4 in x 4 in x 2.5 in, by Lynn Matthews Anderson
“Journey Into the Light”, oil on canvas, by Ruth Hewlett Pope

Please note that we’ve also added a number of pieces of art to this issue, which made it to the final round, and we felt should be included—artists are noted on each image.

About Lara Niedermeyer

Lara Niedermeyer writes to savor and connect. Growing up in Port Townsend, Washington, she was surrounded by art in all its forms and the wild coast of the Pacific. This foundational experience and landscape continue to shape her creative choices. Raised on the poems of Carol Lynn Pearson (whose books she snuck off her mother’s shelf and hid in her suitcase when leaving home), she revels in poetry which is both mystical and plain-spoken. Joining Segullah in 2009, she previously served as Poetry Editor and on the Poetry Board. Her poems have been published in the anthology “Seasons of Change,” Segullah, and read aloud for the “Words Fall In” podcast. She lives in the Pacific Northwest with her family, where she rents vintage dishes for events, and regularly teaches writing workshops.


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