Home > Journal > 2025 November Issue

Ethnographic Wear Patterns of Domestic Ceramics

By Sarah Colby

Filled up, emptied out, filled up again—
stew bowl, fruit bowl, bowl for water—
by hands that work beginning to end,

clink of the spoon a steady refrain
that leaves a slight groove in the porringer.
Filled up, emptied out, then full again

like the stoneware, chipped, where tongs were lain
week after week for each Sunday supper
by hands that serve beginning to end.

Salad bowl. Bread bowl. Bowl with stains
from summer beets, rye dough, dark chocolate batter.
Fill them. Empty them. Fill them again

but never the thin-walled porcelain,
rose-painted, passed from mother to daughter,
their hands a link beginning to end

as their passing seasons wax, then wane,
each not counting what it costs her
to fill the empty, then fill again
with hands that know beginning from end.

About Sarah Colby

Sarah Colby has an exuberant interest in making the ordinary luminous.  Wife of a reluctantly retired Army Chaplain and mother to a son in the Navy, Sarah lives in San Antonio, Texas, where she mentors veteran/military writing groups and teaches in community-based writing programs.  Sarah holds an MA in Art History and an MFA in Creative Writing. Her work has appeared in several journals and publications to include Crab Creek Review, Proud to Be: Writing by American Warriors, Third Wednesday, Collateral Journal, and The War Horse.


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